SOLD - Grass Is Always Greener

"Grass Is Always Greener" 8x10" oil on gessobord

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"The moment one gives close attention to any thing, even a blade of grass it becomes a mysterious awesome, indescribably, magnificent world in itself." — Henry Miller

Doesn't simply looking at grass make you want to rejoice? Even our forefather, Thomas Jefferson admitted," There is not a sprig of grass that shoots uninteresting to me."

In this painting, an entire valley of bright lime summer grasses stretches far off into the distance, lining the path for groves of aspens standing guard at the perimeters. Here, millions and millions of tiny sharpened blades battle their way through the oppressive weight of loam, silt and rock. Paper-thin shards erupt like silent viridescent geysers to face the compelling force of sun. 

Saluting skyward into blinding light of day, they crush together into one verdant blanket that covers the earth in a lush roll of softened hues; fecund fields of endless feast entice the hungry eyes of deer, sheep, goat, moose, elk, or whoever else comes to dine in this garden of victory. 

My eye also pauses to partake of this banquet. Grass is always greener with eyes open wide to behold the radiance and wonder.

Thanks to all of you who stopped by to graze today. 

nancy  

© nancy parsons, 2013

To see more of my art or to contact me: Online Gallery  • E-mail  •  Website

• Graphic Design Studio 

  

SOLD - Big Momma and Little Jack

Big Momma and Jack, 6x6" oil on gessobord

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STEP 1 Tone the panel and roughly sketch with turp and umber.

STEP 2
Working with thin paint, loosely begin laying in skin tones

"A baby is God's opinion that life should go on."

— Carl Sandburg

STEP 3
Continue laying in large flat areas and shapes of local color

STEP 4

Still working with thin paint, refining shapes, values, and larger details.

This is the hardest stage for me, I always start having doubts and 

think it not going to work.

 STEP 5
Making adjustments to drawing and begin to define with thicker applications of paint 

This is a commissioned painting, I have been working on from a photo reference of a tender moment captured between a great-grandmother holding her sweet great-grandson. 

I seem to be doing more figurative work lately, so I thought I'd share my step-by-step painting process with you to show how one of my paintings developed from start to finish. See steps 1-6 on right.  

The entire process took me about 12 hours to complete. I am learning more and more each day, and still have a long way to go, but I am having a heck of a lot of fun.

I also want to invite you to browse my NEW Website. I am so excited to be able to now offer my paintings for purchase as fine prints, canvases, note cards etc. Simply click on one of the paintings on my website to see all of the options available. It's so easy. Check it out here. 

If there is a specific painting  in my gallery you're interested that is not being shown on the website, just let me know and I will make it available for printing as well.

Thanks for letting me share.

To see more of my art or to contact me: 
Online Gallery  • E-mail  •  Website

• Graphic Design Studio 

STEP 6 
Continue refining adding highlights, adjusting edges, accentuate details, using thickest applications of paint.